Day 3 - Farmers Market

We were in our element.

Buying farmers market apples, beet mead, coffee, alcohol soaked baked goods, antique jewelry, chatting with locals, families, kids … from the moment we stepped foot in that parking lot.

What joy. Our residents’ first hello to the Airdrie community: sharing selections from the album “the last leaf” by the Danish string quartet right here at the market, squatting on the cement and making custom buttons for each of our little friends, walking around and being in awe of the craft, creativity, passion, warmth that emanates from each stall - homemade (celiac/diabetic-friendly) desserts, all the wine and mead, the audiences who stood in front of us to listen the entire time even when sun went down and the temperature quickly dropped … we felt so alive, so welcome, so full of joy.

This was absolutely, exactly we imagined this festival to be. People, land, music. We’re out of our individual practice rooms. We come to the market together, we make real personal connections, we talk to people, we share, we exchange, we come home with huge bottles of delicious bright red fizzy beets mead, olive oil, cheesecake, friendship necklaces (cat and cow! <3), and so much laughter, so much … being in this moment, bonding over feast and friendship.

These are not just words. Not just wishful thinking, this is the community we have created, continue to create. This is still all just the beginning.

To be continued…!

Tomorrow, hear a completely different side of our phenomenal musicians - Debussy’s sensual String Quartet brought to you right on the lake.

“Music, by its very nature, is something that cannot be cast into a traditional and fixed form. The music I desire must be supple enough to adapt itself to the lyrical effusions of the soul and the fantasy of dreams.”

-Debussy

Tong Wang

Tong Wang is a Canadian artist leading innovative initiatives across areas of performance, research, and community engagement. Her projects explore the role of art in relation to identity, culture, and current social-political issues. As a soloist and chamber musician, Tong has performed with the Edmonton Symphony Orchestra, Red Deer Symphony Orchestra, and ensembles across North America and Europe. As a multidisciplinary artist, she has written the libretto of a new opera, “Labyrinth of Tears”, funded by the Canada Council, FRQSC, and SSHRC, participated in the Napoule Arts Foundation Residency in France, and published an award-winning photo-essay in the literary magazine Carte Blanche. Her other projects include the creative performances “Song of Praise”, “Ghiblilane”, “Once Upon a Pumpkin”, and research on the aesthetic of “cuteness” in popular and classical music. Tong recently toured a recital on multiculturalism, “我们Us” in Lunenburg, Montreal, Basel, and presented the interactive concerts “We’re Not Really Strangers” and “My Neighbours Totoro and Claude!” at the Verbier Festival. In 2022, Tong launched the Windwood Music Festival in Airdrie, Alberta to engage with and support rural farming communities through classical chamber music. In 2023, Tong will be touring with Duo Perdendosi across eastern US & Canada, as well as with Duo Incarnadine in Turkey and China to premiere a new commission by Alice Ho, Four Impressions of China. Using diverse mediums, Tong aims to share the power of art to reach across time, languages, borders, and cultures to connect people and kindle a shared understanding.

https://tong-wang.com
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